The Periodic Table of Exploitation Films

periodic-table-of-exploitation-fims

The “Modery Table of Exploitation Films” – a little side-project of mine – is finished. Categorising all the milestones of questionable taste according to genre and release year.

Milestones of Film History (in a Parallel Universe)

cathulhu-rising-poster

Output of a lazy but productive Sunday:
The film poster for the 1976 Rodger Corman cult-classic “Cthulhu Rising”.  Widely regarded as one of the most influential  horror films of the 70′s it was also Heather Thomas breakthrough as an A-list actress. Unfortunately none of this happened in our universe…

Editing Techniques in Scorsese films

A really interesting video about stylistic devices in Scorcese films. It gives examples of the use of freeze frames, speed changes, photo montages and other things that are reoccurring in his films. Even having watched these films a hundred times, I didn’t spot some of it.

CMX 600

An advertising video for the CMX 600. The first computer based editing system from the year 1971 (!). Parts of it can still be found in modern day editing – as in your CMX 3600 EDL-format.

On Editing

Extended material from my interview for the “Four Horsemen” making-of.

Lying in Documentaries

When I say lying in documentaries I don’t mean mockumentaries like “Catfish” or “Dark Side of the Moon”. What I mean is the usage of out of context material.

One of the most famous examples is the “cold dead hands” speech of Charlton Heston in “Bowling for Columbine’. In the documentary, the impression is given that Heston is holding the speech shortly after the Columbine Massacre in Denver, depicting him as an unemphathetic gun-fanatic. As it turns out, this speech was given a year later in North Carolina. So Michael Moore critics say, the material is used out of context and is therefore a false statement.

Let’s have a look at another example we are all familiar with. The little Vietnamese girl Kim Phuc running along a street after an napalm attack. Crying, naked and with 3rd degree burns.  3 G.I.s walk in the background, apparently indifferent to the suffering of the girl.

But when we watch film coverage if that event, the situation looks different. The G.I.s actually do care, give her something to drink and a jacket. And the physical and psychological pain for the girl seems far less intense as well. (And the airstrike that wounded the girl was not of American but South-Vietnamese origin by the way.)

So if we apply the “out of context” argument, the photo of the “Napalm Girl” is actually a lie, because of three reasons:
a) The photo seems to have captured the most horrific split-secound. Kim Phuc seems to scream in agony, but on the film it id evident that she is not.
b) The presence of the American G.I.s strongly implies that the girl was hit by a U.S. air-strike.
c) The soldiers seem indifferent in the photo but empathetic in the film.

However, I argue that it was morally justified to put the photo out of context. And the reason for it is that it is telling a generally true story. Because civilians were hit by napalm-bombs. Because children were burned alive during the Vietnam war and because most G.I.s were indifferent towards the people they were actually sent to protect. However, all the events that actually happened were not captured in such a breathtaking image. (Apart of the My Lei massacre, that spawned most of the other infamous Vietnam war-photographs) So the photo of the Napalm Girl is telling a true story as a generalisation, that it is not true for the actual event is not important in my opinion. The same applies to “Bowling for Columbine” and any other documentary.

Editor-Simon on Trailers

Modern trailers tend to give away the whole plot. There is a saying ” The trailer is the film without the bad parts”. Well, it works, and audiences are actually more likely to watch a film if they know the plot already. So tell act 1 and 2 in the trailer, show the best shots of act 3 and suggest some nudity that is not in the actual film itself. The trailer I just cut for “Valley of the Dommes” is a good example for it.

But half a century ago you could do something like that. It is 6 min long, a shortfilm in his own right and after you have seen it you still have no clue on what the film is about:

Other noticeable trailers of that time are “The Maltese Falcon” and “Doctor Stangelove“.

History of Sci Fi

Artist Ward Shelley created this amazing graph visualising the history of Sci Fi. Geek-tastic!

 

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